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Bookshelf

A guide to some of the best music biz books.


2004 Songwriter’s Market
By Ian Bessler (Editor) (Writers Digest Books)
The 27th annual edition of the long-running series is a great resource, listing over 1,700 outlets in which to place songs for practically every music genre, including rock, hip-hop, country and classical. Information on contests, workshops, conferences, awards and resources are easy to use; includes contact information for record companies, music publishers, record producers and booking agents.


This Business of Music: The Definitive Guide to the Music Industry
By M. William Krasilovsky & Sidney Schemel (Watson-Guptill Publications)
Now in its ninth edition, this tome has been re-published on a regular basis since 1964. Krasilovsky, a music and copyright lawyer, delves into such topics as contracts, royalties, copyright, loans, tax issues, labor agreements, and public domain in great detail. There are substantial sections on music publisher and writer agreements and practices, as well as songwriter contracts and royalty statements. A thorough appendix includes excerpts from the most important copyright laws and treaties, as well as an index of relevant websites; a CD-ROM includes additional information on copyright and ready-to-print registration material. There is, simply, a wealth of information here, told in straightforward style.


Behind The Muse: Pop and Rock's Greatest Songwriters Talk About Their Work and Inspiration
By Bill Demain ($24.95, Tiny Ripple Books)
Includes interviews with over 40 songwriters, including Billy Joel, Burt Bacharach, Brian Wilson and Smokey Robinson, covering some 70 years in popular music along the way. That the author is himself a songwriter - a member of pop duo Swan Dive and a former editor at Performing Songwriter magazine - adds insightful value.


Off The Record: Songwriters on Songwriting
Compiled by Graham Nash ($49.95, Andrews McNeel)
Compelling - if pricey - compilation from the famed member of The Hollies and Crosby, Stills & Nash. Covering a wide range of styles - from John Lee Hooker to Grace Slick - the book focuses on 25 popular songs and their construction via archival photographs, interviews and copies of the handwritten songs themselves. Discussions include an examination of how the creative process works, how experience and environment can impact the writing of a song, and a view of how the music industry works. Augmented by two CDs' worth of interviews with the songwriters, narrated by Nash.


Songwriters on Songwriting
By Paul Zollo ($22.95, Da Capo)
Fifty-four songwriters - including Bob Dylan, Madonna, Alanis Morissette, Carole King, Paul Simon, and Lou Reed - discuss the ins and outs of the songwriting process. Includes practitioners of virtually every genre of popular music in original interviews conducted by the editor of SongTalk magazine.


Composing Music: A New Approach
By William Russo with Jeffrey Ainis & David Stevenson ($22.50, University of Chicago Press)
Not as well known as some of its like-minded bookshelf brethren, this book moves through a series of exercises that gradually become more complex. Along the way readers are taught about chord progressions, melody writing, matching lyrics to music, and so on. Well-regarded by working musicians, it keeps the concepts fairly simple and easy to comprehend.


Melody in Songwriting: Tools and Techniques for Writing Hit Songs
By Jack Perricone ($19.95, Berklee Press)
More academic in its approach than others on this list, Perricone's book examines melody, tone, pitch, rhythm and other subjects in great detail. Heavily illustrated, the book is somewhat surprisingly easy to follow, though a background in music theory wouldn't hurt. The author is both the founder of Berklee College of Music's songwriting department and composer of the 1970s pop hit "Run, Joey, Run."


The Complete Idiot's Guide to Music Theory
By Michael Miller ($18.95, Alpha Books)
Similar to "...Dummies," this includes insight on composing and arranging for instruments and vocals, information on constructing melodies, harmonies and chords, and the basic building blocks of a song. Features musical exercises at the end of each chapter. Written by the author of The Complete Idiot's Guide to Playing Drums.


The Craft and Business of Songwriting
By John Braheny ($22.99, Writers Digest)
Written by the co-founder and director of the Los Angeles Songwriters Showcase, this book covers everything from how to develop creativity, motivation and inspiration to the construction of songs and collaborations, as well as inside information on copyright, publishing and marketing. Includes anecdotes from the likes of Paul McCartney, Vince Gill, Sheryl Crow and Lenny Kravitz. Revised second edition includes a listing of online opportunities for songwriters.


2004 Songwriter's Market
By Ian Bessler (Editor) ($24.99, Writers Digest Books)
The 27th annual edition of the long-running series is a great resource, listing over 1,700 outlets in which to place songs for practically every music genre, including rock, hip-hop, country and classical. Information on contests, workshops, conferences, awards and resources are easy to use; includes contact information for record companies, music publishers, record producers and booking agents.


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